Monday 31 December 2012

Diploma with Honours Term 4 End Block week


Marci Tackett –Screenprinting on fabric

The course outline was to take three patterns, create screens of them, and combine them using transparent and opaque ink, fun and messy! Then put the results into a bound book.

I decided to not only follow the course requirements but also use the opportunity to produce something that was unique for my husband's first grandchild. A fabric book, tailor-made and using the child's fathers passion of racing cars as well as incorporating my doodles, oh and my daughter wanted a screen printed t-shirt! We had four days, Friday being Easter. I had a load of fun, wore out one of the screens!




Wednesday 12 December 2012

Diploma with Honours Term 4 – Main


Monday – Dan Wilkinson – Life Drawing
Dan's class is always different, because the energy comes from the models he happens to get from week to week and on the students who are working on the day. Boy do we work! If you have never tried a life class it's worth it, but be prepared to sweat!

What paper? brown, white, cartridge, canvas, size A4, A3, A2 or A1?, on an easel or on your lap?, what drawing materials charcoal, pastel, lead, ink or paint? What to focus on, full body, face, feet, hands? depicted in line or light and shade, colour or black and white? Some weeks go well, some are disasters, lots of material for future work and lots of practice drawing the human body.





Wednesday – Marc Hill – Understanding Paint
I was asked by the exhibit manager of Odlins gallery to participate in a nude exhibition (paint and photography) in July and have been working towards offering her 6 or 7 pieces. So Although I have been in Marc's classes before and enjoyed his course content my focus was to complete 2-3 more nudes and utilise his great eye and suggestions of my progress.



Friday – Sarah Brock Underpainting techniques
Sarah loves doing portraits so I decided tap into that and use some photos I took of my cousins grandchildren in Australia over the holidays. Six under 5years and one on the way gave me more than enough material to use. I love the working out of composition and the tonal map using the underpainting technique, so when you start adding colour most of the hard stuff has already been done.



Saturday 1 December 2012

Diploma with Honours Term 4 - Block Week -


Sarah Brock - Painting

I enjoyed Sarah's 'make your own pastels' class so much that I tried to get into her painting block this term. The course was over subscribed so when one of the students couldn't be there Thursday and Friday I dived straight in.

I enjoyed the technique and got some good results very quickly, Thursday I followed the course and dabbled in still life. On Friday, knowing I was in Sarah's mains class, I started to set up my first portrait. Sarah is so approachable and enthusiastic, she tailors her teaching to her students requirements, we are all at different stages of our art walk and want to focus on different things and Sarah has the ability to cater to her students, but there were issues with classroom size (not big enough!) and time getting around everyone.


Monday 15 October 2012

Diploma with Honours - Term 3 2012


Monday – Christina Earl -3D

This class allowed me to explore different mediums and experiment with an idea that I’ve had at the back of my mind for awhile. Christina supplied some materials to the class and I had fun with some High build, crackle glaze and sand but what I enjoyed the most was the shellac! What beautiful colour! It worked well in building up a figure by slowly laying down more of it to create differences in tone but not in colour, what I had hoped was to take it into glass or mirror painting because of it’s transparency but the coldness of the glass affect the carrier, meths, and I got clouding, the other challenge was the bottoms layers of shellac never really set and softened and lifted with subsequent layers, although the few canvases I tried  looked ok my best results were on paper.

I did start painting on mirrors with oils in this class and have produced some nice effects, we all at times of our lifes compare ourselves with others both physically and emotionally, we compare ourselves to an ideal of what we should look like when we look in the mirror, so what would it be like to have someone else look out at us as we look at ourselves? I have a few more mirrors to paint but am happy with the outcomes so far. If any one has a full length mirror their not using?







Wednesday- Christina Earl – Chercisco out of the dark

Every week a new model every week a struggle to get the room dark enough. I used this class to practice modelling the body and getting poses for my mirror work, the focus was the play of light over the contours of the body, the contrast of light and dark. Hard work and highlighted my need to practice more the capturing of the whole figure quickly, I’m a bit slow!






Thursday – Jude Robertson -Beginners Photography

A lesson in patience! How spoiled we are to walk in and have prints out of the camera within minutes, even to be able to see the shot you’ve just taken on the back of your digital!

This class demanded you to slow down, I did not want to waste the processing time on horrible shots, using black and white film how do you get your eyes to picture something that you see in full colour and know its going to look good in B/W? It takes 2 hours to process the film and another 2 hours to dry before you do a test strip to do a contact print to see if any of what you’ve taken might be worth the trouble of enlarging, a test strip, and getting a final copy of acceptable quality to standup to B/W.

Wednesday 18 July 2012

Diploma with Honours Term 2 2012 - End Block Week

Sarah Brock - Make your own pastels.

Sarah is a wonderfully enthusiastic and caring tutor. To her credit she tailored the class to a variety of abilities and needs, but it did mean that some got more of her time than others, but those of us left to our own devices were very well occupied because making your own pastels is a time consuming process.

 First to narrow it down a bit, we had to explore our 'favourite' colours, most of us decided to do 'skin tones', to finish off the week with a portrait. Grinding down existing pastel colours, adding talc and chalk, and mixing to get the colour you want and then lighten for various shades. Yellow ochre, orange, peach for the warm skin tones. Purple and mauve for shadows. It took most of the week just to get the pastels dry enough to use, a coffee grinder on Monday would have been a bonus, I felt like the old apprentices in the art houses of Europe hand grinding colour for the master!

I had a crack at Sarah's method of skin tone mixing with oils and painted a quick under painting and even though it doesn't look much like Samantha now, it will. Still getting my head round the warm lights, cool shadows way of painting?
The portrait on sandpaper with the pastels was great and I think the whole class did some really good work.



                                    



Monday 16 July 2012

Diploma with Honours - Term 2 2012


Monday – Thomas Robson  - Pathways to abstraction

What a challenge! Thomas’s art is beautiful, he seems to be able to see colour where I can’t, see beautiful form where I don’t. His suggestions to improve your work is invaluable, but I might have to repeat the class to understand or work through the ideas he’s given me. I did do a few pieces in his class but not as many as I am used to.




Wednesday –Karla Vink and Christina Earl – Foundation painting day

I really enjoyed Karla last term and wanted to experience what the foundation students got from her and Christina, a smattering of various of painting styles and exercises, it was fun, the class was large and very enthusiastic, the energy was great.





Thursday – Sam Harris – Digital art and design

Sheila recommended this class as a way to use photoshop  to quickly see if your art is on the right track. I did not use the time that way, rather I used the computer to explore my idea of ‘abstract ’for Thomas’s class. I learned alot about photoshop but missed the feel of a paintbrush in my hands.




This term was not a high production term but I have taken the  opportunity to present in three galleries my work. Farsite, Petone, Matchbox, Cuba street, Wellington and The Pinehaven  Arts and Crafts Pinehaven School Upper Hutt. (I also presented three at the end of term exhibit at The Learning Connexion.







 All of these exhibits taught me different things, namely working with a group of artist allows the work load to be shared, and a wider group of people to see your work,  (being like minded people does not guarantee they have the same work ethic however and clear guidelines about what each person should be doing is essential and a responsible way of working in a joint effort to avoid resentment ) Cost (of hiring the gallery)Time, distance and effort can play a large part on who will see your work and whether it’s worth it. Other people who hang your work do not give it the same care or have the same sense of what’s best for it, if you are concerned about treatment or where it’s best hung you should write guidelines, they may not be followed exactly but exhibit organisers are not psychic, they’ll do their best.  

Sunday 15 July 2012

Diploma with Honours - Term 2 2012 Start Block Week


Block week – Roger Key painting on something weird


A trip to two junk shops gave me ample ideas of what to paint.
My first idea I had worked out before the week started. Having something in the back of your mind before you start a block week will get you going early and you can utilise the whole week to create.

I took an old skill, weaving flowers out of flax, and applying colour to the flax, the weaving it.  I split the flax and then painted it, very time consuming but fun.

In the first junk shop bought a wooden blind and painted a dancer on it in greys and blues and it took ages! The other junk shop yielded a flax woven panel that I painted a scene of Ruapahu, a flax bush and a toitoi bush.  This has been framed and was exhibited in the Stokes Valley Library.





Thursday 7 June 2012

First Flight – Solo Exhibition


I have neglected this blog for weeks sorry but I have a small excuse. I have done a solo exhibit!!

What better way to complete my Diploma qualification I thought than to present to people what I had been doing the last two years this blog.

However things conspired to allow me to finish things off with a bang. I had the opportunity to fill (if I could!?) the Odlins gallery in the Hutt Art society, I had three months. I was excited and terrified at the same time, did I have enough material?

I went to an exhibit done by six other students down at the gallery to assess the space and boy did that freak me out. I had to do an artists statement, a biography and design a business card, I had to select and prepare for hanging 39 to 45 pieces (my estimate to properly fill the gallery)and I had to come up with Posters, postcards and an appropriate name.

I decided what pieces I already had, that were of a standard I was satisfied with, representing the last six months of my work and I was at least 15 pieces light!!

The term break was fast approaching, and this coupled with a very supportive family allowed me to go into high production, doing some things that I had planned to do in the future at my leisure.

























There were some pieces that would be better displayed in a frame and my darling husband offered to have a go at making some frames out of some recycled 50x25mm rimu purlins we had stored. What started as 7 frames ended up with every piece except my daughters portarait (1x1.5m)box framed beautifully, so the housework was neglected again and the cars were parked out because the garage became a workshop. There was sweat split inside with 13 pieces done in three weeks and blood spilt outside in the garage with a planner.





















































The opening night went without a hitch and I appreciate every single person who came and supported me. A big Thank You to Paul, Samantha, my parents and Iris Kauffeld for all their practical and emotional help. I sold 7 pieces on opening night and 2 others after the exhibit closed. I sat down there 2 Mondays 2 Tuesdays 2 Thursdays and 2 Fridays painting and talking to the people who came to see my work, they were all so encouraging, it was an uplifting experience.








To round off all the positive things that have happened to me in the last 3 months I was given a scholarship to return to The Learning Connexion to complete the next stage, Diploma with Honours.
I was absolutely gobsmacked, shocked at the huge honour of being offered this opportunity.
I have gone back to school for the next two years, despite being skint and having a huge guilt complex about not working.
I will be updating the blog now at the end of each term with my latest artistic attempts.